Thursday, 19 May 2016

Paradise Lost (Again)

I've been re-reading 'Paradise Lost', because it's damned good. I felt like writing something about it again, because when I wrote about it two years ago I was still very giddy about how good it is, was still hyper from the discovery that reading a poem could be an immersive cinematic experience, and the thing I wrote back then is very unsatisfying to re-read: my 'ZOMFG I cant tel u how awsum it is' fanboying makes me cringe.

So I started to write about it again, thinking that re-reading it two years on I would be able to do it more justice, perhaps a little calmer, perhaps with some more analysis. For those that don't know: 'Paradise Lost' is a 17th century epic poem by John Milton, which tells 'Of man’s first disobedience, and the fruit of that forbidden tree, whose mortal taste brought death into the world, and all our woe, with loss of Eden'. It is a retelling of the the War in Heaven and creation myths from Judeo-Christian mythology. And it's so good: one of the greatest works of English literature.

There was going to be more to this. I was going to go through the whole thing in a series of posts, perhaps one for each chapter/book that makes up the epic, discussing the scenes and including a few choice quotes.

But I can't do it. I just fanboy over it too much. I want to quote the whole thing. Here's Satan rising out of a lake of fire in the early pages:

'Forthwith upright he rears from off the pool
His mighty stature; on each hand the flames
Driven backward slope their pointing spires, and rolled
In billows, leave i' the midst a horrid vale.'

And then there's the speeches. And the fight scenes. And the sex scene. And the montages (yes, montages: it's a cinematic poem). It's just so good.

ZOMFG I cant tel u how awsum it is.

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